The Legacy of the ‘Fan-Tas-Tic, Vol. 2’ by Slum Village (25 Year Anniversary)
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25 years ago, one of hip-hop’s most beloved albums was finally released. After years of anticipation, this record was a statement piece from Detroit rappers J Dilla, T3, and Baatin. It became an immediate classic and is still loved to this day. A beautiful blend of neo-soul and hip-hop, this LP stays with you. The second offering from Slum Village is a real stand-out in every record collection.
‘Fan-Tas-Tic Vol. 2‘ followed the band’s unofficial debut studio album ‘Fan-Tas-Tic Vol.1‘. Reflecting on the discussions of hip-hop fans over the years, many seem to believe that the record comprised tracks from one of the group’s demo albums. It was leaked to the underground scene around a year before the release of ‘Fan-Tas-Tic Vol. 2‘. In the hip-hop scene, both projects changed the game. The hip-hop scene had hope that maybe Slum Village could fill the void left by A Tribe Called Quest’s first dispersion in 1998.
Following his work with acts like A Tribe Called Quest and Erykah Badu, J Dilla’s production style morphed into a sophisticated and considered process. He called on the gems of his musical ancestors whilst forging a style that was able to advance the genre of hip-hop into the new century. This dedication brought him the profile that allowed Slum Village to build excitement for the delayed release of ‘Fan-Tas-Tic Vol.2‘.
Despite being ready in 1998, the album was eventually released two years later with GoodVibe Recordings. The underground scene adored ‘Fan-Tas-Tic Vol.2‘, with fans often citing it as the best-produced hip-hop album of all time. Let’s break down why.
Track 3 – I Don’t Know
The scratching on ‘I Don’t Know‘ is a masterclass. Producers and DJs around the world loved this track. Acts like DJ Rhettmatic were in awe by J Dilla’s playful use of the great James Brown. The sample sits slightly behind Slum Village in the mix, in keeping with the entire album’s effortless call and response. Personally, this track reminds me a lot of 80s giants Special Ed and Biz Markie. It is so relaxed and easy to listen to, definitely worth revisiting this summer.
Track 11 – Fall In Love
‘Fall In Love’ is a really introspective track and gives the listener an angle on the group’s softer side. The vocal performances are softer and the sample, Gap Mangione’s ‘Diana In The Autumn Wind‘, is a reminiscent 60s jazz piano song. Little details like the vinyl crack left in with the drum sample make this song’s mix less refined than the rest of this album. Despite this, ‘Fall In Love‘ is one of my favourites from the album. It’s atmospheric and it’s thoughtful and it speaks to J Dilla’s individuality. This went on to be sampled by one of the modern hip-hop kings, Chance the Rapper on his song ‘Everybody’s Something‘.
Track 12 – Get Dis Money
J Dilla’s gratitude to his predecessors in the rap game shows all through ‘Fan-Tas-Tic Vol. 2‘. In track 12, he raps “You see a n***a cold chillin’ like a Marley Marl.”. This is a shoutout to the legendary 80s hip-hop producer and his record label. The smooth production on ‘Get Dis Money‘ almost gives us an R&B song. Here we have soulful and funky backing vocals along with a crisp hi-hat-led drum beat. However, the endlessly sound flows of J Dilla, T3, and Baatin make this an unmistakable hip-hop classic. His desire to play with genre is what makes Dilla’s production style so special.
This is a true hip-hop album. This album shows off so many talents of the three original members of Slum Village. The flows from each MC work together perfectly. The trio had met in high school and had been rapping as a group for 2 years when they recorded ‘Fan-Tas-Tic Vol.2‘. There truly is an energy of brotherhood in this project and that still shines today.
Despite the passing of J Dilla (2006) and Baatin (2009), T3 continues the Slum Village name along with producer Young RJ. You can listen to their more recent music here.